Views of the Grand Canal - Venice

wahv looks for ways to address Venice’s challenges as a living city, and shares these findings globally.

wahv monitors and measures critical parameters affecting Venice from an independent and objective standpoint, covering social, economic, physical and ecological indicators and future prospects (also in the light of past trends).

We aim to:

  • create an invisible platform from which to build bridges and open opportunities
  • combine academic rigour and objectivity with social entrepreneurship
  • focus on the broadest range of possibilities that only Venice provides
  • be a laboratory/mirror for elsewhere in the world

We believe many small steps will ultimately effect a fundamental change in the destiny of this city.



wahv methods and means

wahv provides management and support services to improve the prospects for Venice by salvaging what there is and creating new opportunities.

Our activities include:

  • coordinating groups
  • gathering critical information
  • organizing campaigns
  • assimilating results

We work on a large number of projects, small and large, urgent and longterm, in collaboration with postgraduates and practitioners who:

  • collect and analyse data
  • take measurements where information is missing
  • compile reports
  • provide information to media and other communication platforms
  • produce awareness raising materials
  • organise and participate in meetings, symposia, workshops, conferences

Where possible, our work is done via exchanges of opportunities and capabilities, without any financial component. Financial support is used directly to fund man-hours and produce awareness-raising materials, including books.



There are three co-founders of wahv:

Jane da Mosto – Executive Director

Jane’s focus on direct action comes from her training as an environmental scientist (MA, Oxford University, M. Phil. Imperial College London) and international experience as a consultant on sustainable development. Research investigations have covered climate change and wetland ecology plus methodological issues like indicators and valuation approaches and the integration of different branches of knowledge and/or levels of uncertainty to overcome complexity and characterise urgent issues.

After working in London in management consultancy and venture capital, Jane joined the environmental economics group at the Fondazione Eni Enrico Mattei in Milan. Since moving to Venice in 1995, she has worked continuously and variously: European Projects for local NGOs; Agenda 21 for Venice Municipality; a review of climate change research in Italy for the International Geosphere-Biosphere Programme/Consiglio Nazionale di Ricerca; the Venice in Peril Fund/Cambridge University five-year study “Flooding and Environmental Challenges for Venice and the Lagoon”, hosted by CORILA, and the Venice Report on demography, change in use of buildings, public finances and tourism; the OECD Territorial Review of Venice; muf/British Council installation at the Architecture Biennale etc as well as organising and participating in grass roots interventions. She gives lectures, frequently appears in the media and is invited to participate at conferences and seminars, worldwide.

Liza Fior

Liza Fior is one of the founding partners of muf architecture/art. The work of the practise negotiates between the built and social fabric, between public and private through urban design, streetscapes and landscapes, buildings and strategies. Awards for muf projects include the 2008 European Prize for Public Space (a first for the UK) for a new ‘town square’ for Barking, East London.

Other projects can be found on the website. Co-author of “This is What We Do: a muf manual”, unsolicited research continues to be entwined into every project. Since 1994 muf architecture/art has established a reputation for pioneering and innovative projects that address the social, spatial and economic infrastructures of the public realm. muf authored Villa Frankenstein, the British Pavilion at the Venice Biennale in 2010 which took Ruskin and Venice itself, as a means to examine through the Stadium of Close Looking how detail can inform strategy. This was the beginning of the collaboration with Jane da Mosto and subsequent work gave rise to We are here Venice.

Michela Scibilia

An accomplished art director and editorial graphic designer with a long experience in corporate and institutional communication on all possible graphic media. She works in many languages although when she speaks she prefers to stick to her native Italian. Michela is an active member/founder of numerous local organisations and helps especially with communications and events organization.

Advisory Board

Nell Butler – TV executive (London)
Lilli Doriguzzi – artist (Venice)
Elke Krasny – cultural theorist (Vienna)
Barbara Pastor – architect (Venice)
Dalia Salaam Rishani – philanthropist (London/Beiruit)
Samantha Weinberg – writer (Devizes, UK)
Cynthia Wu – entrepreneur (Taipei)
Anna Zemella – photographer (Venice)